Wednesday, 18 February 2015

2.2.9. Irregularity.




This week I have been focusing intensively on developing and extending my sample work. To the extent that I feel I have been disregarding my sketchbook. I have worked extensively with pattern and repetition, when this is only half of what my research and imagery is about. During my tutorial I realised that I had been ignoring the change in pattern, and unevenness this brought to my images. It’s something I intend rectify this week.

I imagined the next step in my sampling was piecing knit parts together to make a whole, together with incorporating machine embroidery; sadly it was a total disaster. It did not work at all, a complete failure; the aspect wasn't what I was aspiring to.

After reflecting on my sketchbook I have made a decision to section out and layer techniques, combining one into another. Bringing sections from different images together to make a sample.

                                                                                                                                                                              Nicola Jones

To achieve my goal this week I need to solve the problem of how to lay out and declutter my knits. Also I aim to simplify my samples using more elongated processes. In order to hit my targets I will need to develop and extend my work further by pushing boundaries and manipulating different techniques to fit within my images.

This week my work will take inspiration from Nicola Jones's knit samples and will use these techniques in my own work. In doing so I will be working with a few basic techniques to create something eye catching, beautiful and yet simply made by having more movement whilst maintaining structure too.




My focus being on bringing together parts of my drawn images and extending the movement within them. My intention is to add pockets of beads to some of the samples. This process will bring an illusion of movement to them adding texture whilst showing bolder colours in different ways and to have chunks of colour and alternative characteristics. Thus developing an unconventional way to express the theme of entrapment and struggle, of being trapped with nowhere to go, with no escape.

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