Monday, 30 March 2015

2.3.2 Broadening and Directing.



Having gained a better understanding of our direction, the group brought our ideas together. Then as a collective we examined our work, disregarding ones we thought didn’t fit in, for example steering away from the idea of having flashes of colour and staying with the grey scale colour palate. As a group we discussed how best we could utilise everyone’s skills, their areas of expertise, working collectively as a team rather than separately as individuals.

During our tutorial we discussed our ideas with Susan, pulling together the design aspects we hadn’t been so brave to touch upon earlier, to work together to create a final outcome sample collection, bringing in the stronger areas of our individual practices, I making plain, bland samples for team members to work with. This will be a more creative and collaborative approach than other briefs.

By directing our ideas in the same direction our outcomes have a similar feel to them, creating a large collection of samples that work well together.
Over the next few days I anticipate directing my visual research towards the weight of the fabrics of an outfit, examining how they flow on a body, the movement of actions they take, fastenings, openings, and the wrappings of the garment.





As a team it is essential that alongside sampling and how we are going to get there, we also need to think about a muse, deciding what type of person we are directing our designs towards. Our initial thoughts are to use a female version as opposed to the male, for whom James Long normally aims his collection towards.

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